The fader/mute button for the USB interface on the output routing of the master is how I adjust whether/how much of myself I want to monitor in my ears. So, from the master track’s routing window, add outputs to the USB interface and the two channels of the 2-channel BlackHole interface. The USB interface so you can hear in your headphones.I use a simple NR plugin to deal with HVAC noise, and some compression. Selecting the input for that track feels almost like just using the regular USB audio interface, but with a whole bunch of other channels thanks to being aggregated with BlackHole.īy default, Reaper sends each track to the master out, but in order to hear live input, you have to arm the track and turn on record monitoring.Ī fun bonus of routing through a DAW is that you can use plugins! The output of Zoom is not going to the master out, so it doesn’t feed backīut before doing that, make sure Reaper is set to use the aggregate device in the device preferences.įor every input I want to mix, I created a track.In other words, (almost) every track in the DAW is “normal” in the sense that what I hear is what the far end of the call hears The master out is going to Zoom, and my ears for monitoring.Once I got the audio devices set up, I had to route everything in Reaper. I have the USB interface set to be the clock source, with the two BlackHole instances set for drift correction. It doesn’t really matter what order you add them to the aggregate device, but it should include both BlackHole devices and the audio interface. This allows the system to treat multiple devices as a single device with all of the channels from the individual devices. Reaper will handle all of the audio routing, but since it doesn’t support having different input and output devices, the first thing to do is create an aggregate device in Audio MIDI Setup. The 16-channel BlackHole device will function as the Zoom speaker the 2-channel BlackHole will be the Zoom “microphone”. I have one called BlackHole 16ch and one called BlackHole 2ch, which - surprise - have 16 channels and 2 channels, respectively. This actually needs two instances of BlackHole because Zoom can only send and receive from the first two channels of any audio interface.įortunately, they offer direct downloads (email required) of each (and have nice instructions for building from source). The key ingredient here is BlackHole, a virtual audio driver that acts as a passthrough from each input to the corresponding output 1. Be able to hear the far end of the call through the same headphones as monitoring the mix.Route the output of the DAW to a Zoom call.Mix the mic or other inputs going into the USB interface in the DAW. ![]() USB audio interface: Behringer UMC202HD.Use headphones or it’ll feed back when echo cancellation is turned off!) This post explains the setup I’ve been using for my calls. Plus, when working from home for a microphone company, it’s pretty common to use a decent mic in meetings. Toward the beginning of the pandemic, a friend asked me how she could use an external vocal mic and a guitar with a pickup on Zoom calls.īut to have the amount of control a musician really wants, it turned out to be a bit more involved. Telephone colophon: Or, how I overengineered my call audio
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